The history of art, and especially of the cinema, is full of characters brandishing a huge newspaper, which has become an attribute of dolce vita<\/em> and maybe even dolce far niente<\/em>. Many times it featured among the spy’s essentials, or as an insect repellant, a notebook and as a \u2018last resort\u2019 rescue for the shy. It gives you a chance to focus on something. Today, this role is still performed by mobile phones. The newspaper was also one of the characters in Dzien Swira<\/em>[Day of the Wacko],where the protagonist, Adam Miauczy\u0144ski bought out the last issue of a women’s magazine, to spite a certain lady.<\/p>\n\n\n\n The word \u201cgazeta\u201d[newspaper] probably derives from the word gazzetta<\/em> used in Venice, a type of low-denomination coins that were used to pay for the newspapers. Other etymological enquiries point to the word gazza meaning \u201cmagpie\u201d, as well as to the Hebrew word izgard<\/em>, which was used to denote a \u201cmessenger\u201d or a \u201cherald\u201d. However, one thing is certain – since newspapers started being published regularly, that is, presumably since the beginning of the 17th c, their impact on reality has only increased. <\/p>\n\n\n\n At present, the role of newspapers is equally important, although its impact is different. Today, once again, they are a somewhat elite medium, but they provide access to quality content within a certain framework. In times of an endless stream of images and information, it is difficult not to appreciate the signature approach, behind which lie intellectual, aesthetic or cognitive values. The specialist knowledge that is imparted by the press is also noteworthy, as it is transferred in a form that is of high editorial, linguistic and artistic quality. <\/p>\n\n\n\n From the thick fashion magazines, often over three or four hundred pages long, through niche, beautifully published periodicals, to business dailies. Let’s page through a dozen or so recognised titles that describe the world in a thoughtful and intriguing manner. They can be safely judged by their cover and read from the back and to the end. Thanks to the closed composition, clear marking of the beginning and the end, the fear of missing out (the famous FOMO) should not interfere with our reading. <\/p>\n\n\n\n In the summary, it is worth noting the interesting and increasingly frequent phenomenon of media mixing and blending by publishing brands. In this case, printed magazine publications act as a hub for curatorial, business, artistic or communication vision and strategy. \n<\/p>\n\n\n\n In tye summary there are several examples of such activities with very different aesthetics or positioning. What they have in common, however, is similar thinking about contemporary culture as an archipelago of niche motifs that are worth integrating with each other to build a brand with a distinct and diverse ecosystem. Magazines are not only a source of knowledge and aesthetic pleasures, but also objects of culture, which today is multidimensional and its structure remains in a constant state of flux.<\/p>\n\n\n\n Enjoy your reading!<\/p>\n\n\n\n The British periodical “System” follows different fashion configurations… It contains interesting articles and insightful comments on the state of the industry. There are also thrilling interviews (e.g. by the chief curator of art and luxury – Hans Ulrich Obrist), as well as excellent photo shoots incl.those made by Juergen Teller. <\/p>\n\n\n\n The interaction of business, cultural and social aspects of fashion, highlighted in the \u201cSystem\u201d is also interesting. One can also detect an undertone of a light and ironic approach to the fashion industry, which is sometimes taken too seriously. It is only the newspaper itself that is heavy – more than four hundred pages do their job. The Korean magazine “B” is unique on the market. Each issue is a monograph of a selected brand. A printed case study in which we can find factual analyses of the brand strategy, philosophy or approach to design. This multi-level presentation allows for a better understanding of the key elements that have contributed to the success of the brands concerned. The selection of the topics undertaken by the magazine is not accidental and varied. It allows to trace the success story of such companies as Acne Studios or Chanel, as well as Rolex, Netflix, Vitry, MINI or YouTube. A similar concept characterises “A Magazine Curated By”. In this case, however, it is the creators of the individual brands who take on the role of editors of the issues devoted to themCoin and a magpie<\/h2>\n\n\n\n
From the back and to the end<\/h2>\n\n\n\n
Maps of archipelagos<\/h2>\n\n\n\n
\u201cSystem\u201d<\/h2>\n\n\n\n
http:\/\/system-magazine.com\/about\/<\/a><\/p>\n\n\n\n![\"\"](\"https:\/\/uncommonground.pl\/wp-content\/uploads\/2020\/12\/1.-SYSTEM14-COVER-785x1024.jpg\")
\u201eB\u201d<\/h2>\n\n\n\n
http:\/\/magazine-b.com\/en\/about\/magazineb\/<\/a><\/p>\n\n\n\n